girl

American Girl Store in New-York

2011-12-01T22:51:00.001-08:00

Hi guys,

I am sure you are curious to know how is an American Girl shop and what you can find there.

There is all kinds of dolls and accessories dolls might need to have a wonderful life with little girls. In the American Girl shop of New York you have dolls, a bookstore, a clothing line, furnitures and accessories. There are 9 American Girl stores in the United States. You have one in Atlanta, Boston, Chicago, Dallas, Denver, Kansas City, Los Angeles, Minneapolis and New York.
let's have a look in an American Girl store. They all the same inside. First let's go to American Girl Los Angeles before New-York

I love them so much!!!!

DOLLS

Historical Characters

There is Kaya from 1764 and she is a daring Nez Perce girl. There are Felicity and Elizabeth from 1774. They both are from ancient colonial American territories. These girls are really nice and very inspirational. There is Josefina 1824 and she is a hopeful New Mexico girl. There is Addy from 1864 and she is a courageous girl during the American Civil War. There is Rebecca from 1914 and she is a lively girl with a dramatic flair. There are Kit & Ruthie from 1934 and they are resourceful girls during the Great Depression. There are Molly and Emily from 1944 who are patriotic girls during World War Two. There are Julie and Ivy from 1974 they are creative 1970s girls.

Historical characters are from stories from years ago about things that happens in the history. They make the characters into dolls and make books and clothes for them or talking about them.

Girl of the year

Each year, American Girl introduces a brand-new character with an inspirational story. This girl always has a story that today little American girls can identify themselves with.

From making friends, to facing challenges to learning from her mistakes, every Girl of the Year discovers something new and exciting about herself and the world around her.

Lanie, Girl of the year 2010 is an energetic girl who discovers the world in her own backyard.

My american girl

My american girl dolls are normal dolls with a code that gives us total access to innerstaru.com a website where we can play games we can also order them with ear piercing.

Bitty baby

Bitty Baby comes in five skin, eye, and hair-color combinations. She also arrives with Bitty Bear and a book for girls and their parents dolls (the children's who have the doll). I don't have any of those because I think they are for smaller girls. But they are very cute. They also have black, asian, mixed, white ones like for the big dolls. Because American Girls dolls are for every little girl so they can have dolls that look just like them.

Bitty twins

The Bitty Twins are really nice. You can choose the skin tone and, the hair color. If you want you can choose if you want a girl or a boy to create your favorite pair. They also come with full outfits, hair for styling, and a special book. You can add accessories and Dress Like Your Doll clothing.

American girl books

There are books for adventures, advices, and activities. You can search the American Girl bookstore to discover award-winning books, movies, and games. They have historical fictions, contemporary fictions, advices, mysteries and activities. They even have inner star books and an american girl magazine

Clothing

They have lots of clothing for the dolls. There are girl of the year clothing, my american girl clothing with Special Days, Sleep & Style, Everyday Favorites, Hobbies and Sports, bitty baby clothing with outfits for dolls and dress like your bitty baby, bitty twins with outfits for dolls and dress like your bitty twins, Dress like your doll with casual, layette, bedtime wear, costumes & dance, sportswear & swim, special occasion, outfit add-ons, shoes & socks and outerwear. They even have clothing for girls!

Furniture

American Girl furnitures are very nice and pretty. They are really nice because they re-create the stories and the characters from American Girl because they are in the stories and they are even in the American Girl movies. There are beds from four-posters to canopies, tables and chairs for dining and relaxing, other furniture for everything else a room needs, trunks and storage to hold keepsakes, nursery for caring and nurturing. They even have a Bitty Baby’s crib set with a working mobile and plenty of storage, a trundle bed & bedding set that has two of everything and Spacious shelves, extra bins, an earring tree. It all comes with the new storage tower.

Accessories

American Girl accessories feature girl of the year accessories, my American Girl accessories with Everyday Favorites, Hobbies, Sleep & Style, Sports, Special Days, Special Extras and Pets For Girls, bitty baby accessories with accessories and Dress Like Your Doll Bitty Basics, bitty twins accessories with Accessories and Dress Like Your Doll, animals & extras, school, performance, sports & swim, food & dining, bedtime, doll care, luggage & storage, nursery, glasses, shoes & socks, dolls for dolls, other accessories and outfit add-ons for dolls

american girl store

2011-12-01T22:48:00.001-08:00

American Girl to open newest "experiential retail store" in Chesterfield

Patrons view dolls and accessories at the American Girl Place store in New York City.
        Chesterfield will join Kansas City, Atlanta, Chicago, Seattle and several other cities when an American Girl "experiential retail store" opens in the St. Louis suburb in spring 2012.

        The official announcement came from American Girl Tuesday.

        Visitors to the 10,850-square-foot store at the Chesterfield Mall will be able to purchase American Girl's line of dolls and books, take their dolls in for a haircut at a "doll hair salon," make doll-sized t-shirts and eat in an in-store "bistro," a release from the company said.

        Wade Opland, American Girl's vice president of retail, said that the Chesterfield location offers the right environment for the new store.

        "The mall's upscale mix of retail and restaurants is a great fit for our brand and provides us with an amazing opportunity to debut this exciting retail concept to our American Girl fans in the St. Louis area, while introducing a whole new audience of girls and families to our brand," Opland said.

        American Girl said that their stores, in sum, have had over 40 million visitors to date since the opening of their flagship "American Girl Place" store in Chicago in 1998.

american girl doll

2011-12-01T22:42:00.001-08:00

IT'S AMAZINGGGGG..

girl interrupted

2011-12-01T19:41:00.001-08:00

How do you shoot a movie in freezing cold Sweden, from a book the whole world has read? David Fincher and Jeff Cronenweth, ASC heat up The Girl with the Dragon Tattoo. By Chris Wolski. Photos by Merrick Morton.
Billed as the “feel bad” picture of the holiday season, The Girl with the Dragon Tattoo –based on the international, best-selling novel of the same name – is a return to the dark territory explored by director David Fincher and cinematographer Jeff Cronenweth in Fight Club, where even the heroes are drawn in moral shades so murky it’s hard to discern where right and wrong begin, let alone diverge and conquer.
Cronenweth, fresh off Fincher’s Oscar-winning The Social Network, says the third most essential presence in front of the camera (behind stars Rooney Mara and Daniel Craig) was Sweden’s frigid landscape, where most of the film was shot last winter and spring. “Weather plays a big part as the texture of the film,” he explains. “It actually helps you get a sense of what the characters are feeling.”
That texture was much more stylized than their last film, and, as Cronenweth notes, the cool, blue Nordic light was a perfect match to the story. “Because this is a serial killer murder mystery,” he continues, “we had more leeway to stylize the lighting. That was different than The Social Network, where we were going more for the reality of the Harvard environment.”
In fact, Cronenweth says the locations took him back to his days as an apprentice with the “father of soft lighting,” Sven Nykvist, ASC, whose lessons served Cronenweth well on The Girl with the Dragon Tattoo. “People used to talk about how [Nykvist] did so much to bring soft light to the forefront, but he always told me, ‘That was what was there.’ After being on this shoot, I totally understand where he came from.”

Light Iron colorist Ian Vertovec, who also graded The Social Network, agrees, noting that The Girl with the Dragon Tattoo was about 1,000 degrees Kelvin cooler than Fincher and Cronenweth’s last film. “Because they wanted this very unique ‘Swedish’ feel,” Vertovec describes, “It seems the moon and sky acted like a [cooling] filter. It’s an amazing nighttime look.”
Although the dark material is classic Fincher, The Girl with the Dragon Tattoo is a departure, of sorts, as it’s the first remake in the director’s canon. The book (whose original Swedish title was Men Who Hate Women), about a journalist who is aided in his search for a woman who has been missing for 40 years by a hacker/rape victim, was first produced as a film in Sweden just two years ago. It starred Noomi Rapace as Lisbeth Salander. Girl, and the subsequent filmic adaptations in the Millennium triology, The Girl Who Played With Fire, and The Girl Who Kicked The Hornet’s Nest, have been huge hits with Steig Larsson fans, so when Cronenweth was approached to lens the American version he was understandably confused.
“I didn’t understand why David wanted to be involved,” Cronenweth admits. At least not until he saw the Swedish film. “I found the original picture completely engrossing. It’s a fantastic revenge story that is cleverly structured with female empowerment at its core. After watching it, I totally understood why David wanted to revisit the story and create an English language version. We have a very diverse and interesting cast with Rooney Mara [as Lisbeth]. She went through a complete transformation to play the role. We also had the benefit of a budget that allowed us to further dive into the intricacies of Steig’s book and, of course, the ‘Fincher factor.’”
At just under 160 days, the psychosexual/political thriller was the longest shoot Cronenweth had done since Fight Club (132 days), and most of that time was spent in cold, wet Sweden. “I was on location in Russia for K-19 the Widowmaker, and it was cold there, but it was dry,” Cronenweth offers. “This was wet cold that got under your skin. But the locations are where everything comes together, because the story is set there, in a soft, overcast, and cold place.”

The international production took cast and crew from Sweden to Switzerland to London and to Los Angeles, Norway, and back to Sweden. A-camera operator David Worley recalled how nature sometimes played devilishly sly tricks on the VFX team. “The effects crew spent a weekend laying artificial snow at one location,” he says, “only for it to snow the night before shooting!”
Cronenweth lensed about 80 percent of the movie with the RED ONE and its Mysterium chip. When the workflow became refined (Red Rocket compatible) and datacards readily available, he shot the remaining 20 percent with the RED Epic. He used ARRI master primes throughout, and because of the chip sensitivity variables between the two cameras, used an 80D filter in front of the lens when shooting with the RED ONE, with the lights gelled to 4000 degrees Kelvin. “The Mysterium sensor is more blue sensitive and it gave us more to grab onto and more latitude,” he explains.
Weather was challenging. But an even bigger issue was latitude. Sweden is so close to the Arctic Circle that as the year progresses from spring to summer, the nights get significantly shorter. In fact, as Girl neared its wrap, both dusk and sunrise were two hours plus in duration; because the crew had to abide by Swedish labor laws, working time (which also included breaks for meals) was limited to approximately 10 hours per day.
That meant intensive pre-planning for a film that mostly takes place at night. Cronenweth, and gaffer Harold Skinner both cite the movie’s last exterior night sequence, which takes place in an historic Stockholm district covered with cobblestones and hugging several hills, as the most challenging, and rewarding. Requiring multiple directions, and only four hours of darkness to cover a two-square block long area, the only conceivable approach was a full pre-light.
“It was the most daunting scene of the production,” Cronenweth recalls. “We pre-lit the area the night before, sending in a rigging crew to plant cranes and set everything up. When we pulled the trigger the next night, we only had a few hours to complete the sequence.”
“I would be standing at the monitors with David [Fincher] shooting in one direction and pre-lighting the turnaround for the end of the film,” Skinner recalls. “When we did the turnaround, I was expecting notes. Fincher casually turned to me and said, ‘Looks good, man,’ and we shot. It was a very simple and unexciting moment, but it felt like a great achievement.”

Matching the disparate backgrounds and ambient light levels was also tricky. “Sweden’s latitude and short nights provided long days where the sun pivots overhead,” Skinner continues. “One particular nightmare was a café scene where Daniel Craig orders a sandwich. Throughout the day, every building in the background was in full sun and full shade multiple times. Usually when the shadows come in, the sun doesn’t return. We solved the problem by flying 30-foot-by-40-foot light grids over the background and applying neutral density filters to various windows to balance exposure.”
The term that always comes up to describe a Fincher movie is precision. “David just preps very, very thoroughly,” Cronenweth continues. “We usually rehearse for a good hour before the crew shows up. This allows time to block the scene, plan the coverage, and, at least in theory, start lighting. By the time the cast is picture ready, we are lit and spend most of the remaining time shooting. The goal is to give David and the cast as much time to perfect their performances as possible, which is a very effective approach.”
Production designer Don Burt described a planning process that harkened back to another master of cinematic darkness—Alfred Hitchcock. “David makes the movie during prep,” observes Burt, who won an Oscar for The Curious Case of Benjamin Button, and also worked with Fincher on The Social Network and Zodiac. “On shoot day, everything is figured out, and it then becomes all about the actors and the narrative.”
Not that such an exhaustive prep limits Fincher’s camera team. Girl shot with multiple rigs (Cronenweth operated the B-camera), and Worley says he was given plenty of freedom to frame up shots according to Fincher’s vision. “David doesn’t use a viewfinder on set,” the operator explains. “He appreciates what each lens will give him and, once selected, will seldom change. So ‘A’ and ‘B’ shots were lined up with Jeff and me on the cameras while David finessed the shots via the monitors. Obviously, he’s extremely precise, so we knew the exact framing David wanted before shooting. It’s well known that he likes to do many takes, whether for technical or non-technical reasons. But David’s a perfectionist and expects – and gets – the highest standard of expertise from all the participants on set.”

In fact, Vertovec says Fincher and Cronenweth’s preplanning paid off with a much simpler DI. “David and Jeff have already planned where they want the highlights and shadows to live,” he says. “We’re mainly adjusting contrast levels and setting the right quality of light. In other words, we’re not fixing ‘sins.’ We’re enhancing what’s there and taking it to the next level.”
Burt’s work with Cronenweth is an extension of the careful planning that pervades Fincher’s movies; his designs are drawn with the cinematographer in mind. “Don’s very collaborative,” Cronenweth says. “His set drawings and renderings are great blueprints for me, and he designs sets with a photographer’s eye. In fact, he’s always conscious of the light – practicals, for example, or potentially problematic features such as a low ceiling on an existing location.”
Such attention to lighting, according to Burt, is just part of a production designer’s responsibility. “Whether it is a stage or a location, it’s important for sets and lighting to be woven together in execution,” he explains. “We used built-in practicals on quite a few of the stage sets so it was important for Jeff to be aware of the fixtures that were proposed, and, conversely, for the art department to have an understanding of the light quality Jeff felt was appropriate.”
Burt adds that his goal in designing sets is to give Cronenweth – and any DP he works with – “opportunities,” and not “handcuff them.”
Most of the film takes place in the stylized, blue-hued present. But there were a few flashbacks, which meant that Burt had to do a lot of research, looking for the right textures and nuances, which was surprisingly difficult at times. “Stockholm has been around for hundreds of years, and while there are still a lot of great period buildings, many of them have been bastardized with the Swedish equivalents of Starbucks and Jamba Juice,” he relates.
As part of the prep for these flashbacks, Burt changed out many of the current lighting fixtures for period practicals – again to give Cronenweth the option of using them.

Despite all the challenging weather and locations,there were happy accidents that went Cronenweth’s way. One was the casting of Rooney Mara as Lisbeth Salandar, and as he describes, her “ivory skin” that became his secret weapon on what could have been some really long nights.
“We used so little light sometimes that I had no idea how the shot was going to work,” Cronenweth says. “But then we’d bring in Rooney and she’d just be glowing in the middle of the night, and I’d say, ‘Thank you, God.’”
As the shoot spread into summer, the darkness became even more elusive, meaning that the camera team had to be ready to work at a moment’s notice. One of the last nights of shooting involved a scene in which Mara’s character drives off on a motorcycle. The production waited for the interminable dusk to fade to the black of night. Cronenweth and Worley were ready to shoot. Darkness came and Fincher happened to glance back over his shoulder to see the sun reappearing! “Is it getting bright?” Fincher asked. “It is,” replied Cronenweth. “Shoot, shoot!” the director urged explosively. So Cronenweth and Worley went into action and got the shot before the sun chased off the fleeting night.
Such unexpected moments, like Mara’s alabaster skin or a thimble of darkness to work with, happened to turn out well. But Cronenweth says the shots that stick most in his mind actually took place back in L.A., shooting interiors.
One particular night was on location in a youth hostel, where the cinematographer used sodium vapor lights outside the window to cast a cross-like pattern over Mara’s face as she reads a Bible. The light from the handheld flashlight Mara holds bounces back up on her face.
“It was a magical, beautiful, haphazard shot, and we were clever enough to go with it,” Cronenweth recounts. “Although it was gorgeous, I may be more attached to the last of the film, both because of its majestic grandeur and emotional content – a crane shot of Salandar riding down a cobblestone street into the city lights of old Stockholm. It’s very good.”

American girl

2011-12-01T19:31:00.001-08:00

Would Brits be mad if Prince Harry married an American girl?

new girl

2011-12-01T19:23:00.001-08:00

she's uptown girl

2011-12-01T19:13:00.001-08:00

One of my favorite pieces from Rory Beca's collection is this dress, that I've paired

with this amazing Helmut Lang blazer! Im no Carrie Bradshaw but it's definitely a fun

dress to wear at any hour of the day.. don't you agree!? It also helps that it feels more

like fall or even spring in Montreal rather then winter, so I still get to roam around in a

dress with no tights and not freeze.

Another for UPTOWN GIRL:

girl on girl : Rali Ivanova and Jessica Vaugn

2011-12-01T18:56:00.001-08:00

Rali is a Bulgarian beauty, twice cover of Maxim in her native country. If you’re out and about in Tampa, Florida, where she now lives, this bombshell will more than stick out!
What are your measurements?
34C – 25 – 37
What a gorgeous blend of Bulgarian, Russian and Italian. Have you thanked your parents for those great genes yet?
Yeah, I thank them every time I talk to with them! I look like my mother and my father and got the best from both of them! My mom is half Russian with a little bit of Italian and my dad is Bulgarian.
Where are you from and where do you live now?
Born and raised in Bulgaria, now I live in Tampa, Florida.
What publications, shows, events, web page features have we seen you in, or where could we find you?
I’ve been on the cover of the Bulgarian MAXIM twice, featured in FHM, Esquire.com, 4 times in American Curves, on covers of RUKUS magazine, VBLAZIN , MIXED and many more print and online magazines.
What do you love most about Playboy?
Amazing photographers and gorgeous girls make magic! The pictures are so gorgeous, classy and extremely sexy!
We love your Maxim cover. Tell us a little about that shoot!
In 2009 the Bulgarian Maxim ask me to submit pictures from my shoot with Barry Smith for the magazine. They really liked them and put me on the cover. It was so amazing seeing my pictures on the cover of a very known magazine like MAXIM! A couple months ago they contacted me again and asked me to do another photo shoot so I contacted my friend Tiffany from VXN Studios and I got the cover again!
On a first date, what will make you never see a guy again?
If he talks too much about himself on the first date or if he gets drunk.
You started modeling at 15, how awesome to start in the industry so early. Knowing what you know now, would you want your 15 year old daughter to start modeling so young as well? I can think of a list of pros and cons!
My mom took me to my first photo shoot. She was always with me on all my shoots when I was growing up. It was great experience and we had great connection. If my daughter wants to do that of course I’ll support her and tell her all my tips!
I love your curves and your sweet smile; what is your favorite part of your body or face?
I would say my favorite part of my body is my waist and my abs. I get the most compliments on them. I also like my nose.
What were you like in school?
I wasn’t a big fan of school but I definitely had fun with my friends there!
Wow, no tattoos, what made you decide to go ink free? I am the same way, but its simply because I’m scared of needles!
I almost got one 3 years ago but I wasn’t sure what I wanted and where I wanted it. Thank God I didn’t get it! I love my skin ink free, nice and smooth!
Who is your celebrity crush, both guy and girl?
Male celebrity crush is 50 Cent and female is Kim Kardashian and Megan Fox!
One moment in your life that defined who you are?
I think just moving to a different country when I was 19 years old without knowing the language or culture.
Biggest turn-on? Turn-off?
Nice cologne is such a big turn on for me! Turn offs are smokers and rude people.
Where is the riskiest place you’ve ever had sex? Was it worth it?
It’s always worth it if there is that excitement that you can get caught. I think in the park there were some bushes and we…good thing I was wearing skirt…made it easier!
Obsessions?
Just being a girl is an obsession for me! Everything like make up, clothes, lingerie, hair, getting my nails done, shopping, photo shoots!
Where can we find you online?
Web: www.RaliIvanova.com
Twitter: http://twitter.com/RaliIvanova
Facebook: http://www.facebook.com/RalIvanova

Hot Girl

2011-12-01T10:14:00.001-08:00

Girls’ Generation (SNSD) members profile

2011-11-17T17:55:00.000-08:00

Girls’ Generation (SNSD) members profile

Korean pop group Girls’ Generation members’ personal profiles.

Taeyeon

Birth name: Kim Tae-yeon (Hangul: 김태연 | Hanja: 金泰妍)
DOB: March 9, 1989
Birthplace: Jeonju, North Jeolla, South Korea
Height: 160cm | Blood type: O
Group leader.
DJ on Good Friend Radio (Chinhan Chingoo) from 2008 to April 2010.
Solo in If – drama OST for Hong Gil Dong (2008).
Solo in Can you hear me – drama OST for Beethoven Virus (2008).
Starred in variety show We Got Married (2009) with comedian Jeong Hyeong-don.
Duet with Sunny in It’s Love – drama OST for Heading To The Ground (2009).
Starred in stage musical Midnight Sun (2010).
Voiced for animated film Despicable Me (2010).
Duet with The One in Like A Star (2010).
Co-host of variety talk show Win-Win (2010).
Solo in I Love You – drama OST for Athena: Goddess of War (2010).
Duet with Kim Bum-soo in Different (2011).

Jessica

Korean name: Jung Su-yeon (Hangul: 정수연 | Hanja: 鄭秀妍)
DOB: April 18, 1989
Birthplace: San Francisco, California, USA
Height: 163cm | Blood type: B
Elder sister of Krystal, member of girl group f(x).
Released two singles, Oppa Nappa and Mabinogi, with Tiffany and SeoHyun.
Duet with SHINee’s Onew in One Year Later (2008).
Duet with Park Myeong-su in NaengMyun (2009).
Starred in Korean production of Legally Blonde – The Musical (2009-2010).
Solo in Sweet Delight – commercial song for SPC Group (2010).

Sunny

Birth name: Lee Sun-kyu (Hangul: 이순규 | Hanja: 李順圭)
DOB: May 15, 1989
Height: 158cm | Blood type: B
Co-DJ of Chun Ji Radio (2007-2008).
Solo in Finally Now – movie OST for Story of Wine (2008).
Co-host of The M (2009-2010) with SS501′s Hyungjoon and then 2AM’s Seulong.
Duet with Taeyeon in It’s Love – drama OST for Heading To The Ground (2009).
Starred in reality-variety show Invincible Youth (2009-2010).
Solo in Your Doll – drama OST for Oh My Lady (2010).

Tiffany

Birth name: Stephanie Hwang
Korean name: Hwang Mi-young (Hangul: 황미영 | Hanja: 黄美英)
DOB: August 1, 1989
Birthplace: Los Angeles, California, USA (but raised in Diamond Bar)
Height: 162cm | Blood type: O
Released two singles, Oppa Nappa and Mabinogi, with Seohyun and Jessica.
Co-host of Sonyeo Sonyeon Gayo Baekso with Kim Hye-sung (2007-2008).
Solo in By Myself – drama OST for Ja Myung Go (2009).
Duet with K.Will in A Girl Meets Love (2009).
Co-host with Yuri for MBC’s Music Core (2009 – July 2010).
Solo in Banji – drama OST for Haru (2010).

Hyoyeon

Birth name: Kim Hyo-yeon (Hangul: 김효연 | Hanja: 金孝淵)
DOB: September 22, 1989
Birthplace: Incheon, South Korea
Height: 160cm | Blood type: AB
Formed a dance group Little Winners Crew with miss A’s Min (2004) before debut.

Yuri

Birth name: Kwon Yuri (Hangul: 권유리 | Hanja: 權侑利)
DOB: December 5, 1989
Height: 167cm | Blood type: AB
Played a part in sitcom Unstoppable Marriage (2007) alongside Sooyoung.
Duet with Sooyoung in Must – drama OST for Working Mom (2008).
Co-host with Tiffany for MBC’s Music Core (2009 – July 2010).
Starred in reality-variety show Invincible Youth (2009-2010).

Sooyoung

Birth name: Choi Soo-young (Hangul: 최수영 | Hanja: 崔秀英)
DOB: February 10, 1990
Birthplace: Seoul, South Korea
Height: 170cm | Blood type: O
Made a brief debut (2002) in Japan as pop duo Route φ with Marina Takahashi.
Played a part in the sitcom Unstoppable Marriage alongside Yuri (2007).
Duet with Yuri in Must – drama OST for Working Mom (2008).
Played a part in movie Hello Schoolgirl (2008).

YoonA

Birth name: Im Yoona (Hangul: 임윤아 | Hanja: 林允兒)
DOB: May 30, 1990
Birthplace: Seoul, South Korea
Height: 166cm | Blood type: B
Played a part in drama 9 Ends 2 Out (2007).
Played a part in drama Woman of Matchless Beauty (2008).
Starred in drama You Are My Destiny (2008-2009).
Starred in drama Cinderella Man (2009).
Starred in variety show Family Outing 2 (2010).
Solo in Innisfree Day – commercial song for Innisfree (2010).

SeoHyun

Birth name: Seo Joo-hyun (Hangul: 서주현 | Hanja: 徐珠賢)
DOB: June 28, 1991
Birthplace: Seoul, South Korea
Height: 168cm | Blood type: A
Group maknae.
Released two singles, Oppa Nappa and Mabinogi, with Jessica and Tiffany.
Duet with trot singer Ju hyun-mi in JjaRaJaJja (2009).
Starred on variety show We Got Married with C.N.Blue’s Jung Yong-hwa (2010).
Solo in It’s Ok Even If It Hurts – drama OST for Kim Soo Roo (2010).
Voiced for animated film Despicable Me (2010).
Featured in Let’s Go – G20 Seoul Summit OST (2010).
Solo in Journey – drama OST for Paradise Ranch (2011).

girl game

2011-11-17T17:48:00.000-08:00

Girl

2011-11-17T17:37:00.000-08:00

A girl is any female human from birth through childhood and adolescence to attainment of adulthood. The term may also be used to mean a young woman.

The English word girl first appeared during the Middle Ages between 1250 and 1300 CE and came from the Anglo-Saxon words gerle (also spelled girle or gurle). The Anglo-Saxon word gerela meaning dress or clothing item also seems to have been used as a metonym in some sense^.

A girl from Mali

Girl has meant any young unmarried woman since about 1530. Its first noted meaning for sweetheart is 1648. The earliest known appearance of girl-friend is in 1892 and girl next door, meant as a teenaged female or young woman with a kind of wholesome appeal, dates only to 1961